| 翻訳と辞書 |
| The Don Heckman-Ed Summerlin Improvisational Jazz Workshop ： ウィキペディア英語版 |
The Don Heckman-Ed Summerlin Improvisational Jazz Workshop
''The Don Heckman-Ed Summerlin Improvisational Jazz Workshop'' is the first and only album released by the group of the same name, led jointly by alto saxophonist Don Heckman and tenor saxophonist Ed Summerlin, recorded in September 1965 and March 1966, and released in 1967 on their own, recently established Ictus label,〔 with Heckman and Summerlin each composing two of the album's four tracks.〔 The eponymous LP would be re-released the following year on the English Jazz Workshop label as ''Jax or Bettor''.〔("Jax or Bettor (Musical LP, 1968)" ). WorldCat. Retrieved 2013-03-27.〕
Described in Heckman's liner notes as "a laboratory for the continuing exploration of new music,"〔Young, Ben, editor (1998). ("Played by Others" ).''Dixonia: A Bio-Discography of Bill Dixon''. Westport, CT. Greenwood Publishing Group. p. . ISBN 0-313-30275-8. Retrieved 2013-05-15.〕 the group existed from 1964 to 1972,〔Feather, Leonard; Gitler, Ira; editors (1999). ("Heckman, Don (Donald J.)" ). ''The Biographical Encyclopedia of Jazz''. New York: Oxford University Press. p. 309. ISBN 0-19-507418-1. Retrieved 2013-05-15.〕 "()ts materials includ() jazz, electronic music, happenings, theatrical events, dance, film, religious services, written music, improvised music, and chance music."〔 The album also provided an early showcase for pianist Steve Kuhn, as well as bassists Ron Carter and Steve Swallow (the latter heard here approximately five years before switching exclusively to electric bass).〔("The Pleasure They Take" ). ''The Prague Post''. June 30, 2010. Retrieved 2013-03-27.〕
==Reception==
Awarding the album 4½ stars, ''Down Beats Pete Welding described the group's "balance between written and extemporized music" as "both refreshing and successful,"〔 while ''Jazz & Pop'' proclaimed Heckman "a major voice () must be heard," and noted Summerlin's synthesis of Sonny Rollins and Albert Ayler.〔Quoted in (Ad for "Improvisational Jazz Workshop" ), ''ARG''. Volume 34. p. 341. Retrieved 2013-03-31.〕
Decades later, Allmusic's Scott Yanow would give the album 3 stars, citing "impressive solos" by Heckman, "showing that he was one of the first to utilize the innovations of Eric Dolphy in his playing." While the long out-of-print album's "collector's item" status is duly noted by Yanow, the only fault found with the recording is "Lisa Zanda's purposely odd vocal on 'Five Haikus.'"〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「The Don Heckman-Ed Summerlin Improvisational Jazz Workshop」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|